THE SECRET GEOGRAPHY OF NIGHTMARE
 

CONTENTS

Key to previous collections if applicable is -
Shadows At Midnight = SAM
Echoes Of Darkness = EOD
Uncollected = Unc
 

AN OFFICE IN THE GRAYS INN ROAD (EOD)
KILLING ANONYMITY
(Unc) – CRIME
SMOKE
(SAM)
The Emotion Of Fantasy
– ESSAY
BAD MOON
(Unc)
BENJAMIN'S SHADOW
(SAM)
TALKING IN THE DARK – INTERVIEW
MAMA
(Unc)
A Small Adventure
– ESSAY
THE RAG-DOLL WHO SYMPATHISED WITH MAHLER
(Unc)
THE WINDOW
(SAM)
WARM AS SNOW
(Unc)
VENEER
(SAM)
A Dip Into Memory's Bucket Of Whelks
- ESSAY
MATTIE
(EOD)
MR DAWSON'S CHURCH STORY
(SAM)
GATEWAY
(Unc)
CURTAIN CALL
(SAM)
AN ENGLISH COUNTRY GARDEN
(EOD)
ASHUSHMA
(EOD)
It's That Old 'Big Brother' Theme Agai
n - ESSAY
 

Trade Paperback from Cosmos Books USA
ISBN 1-58715-418-X
This is the complete Maynard-Sims back catalogue to 2000.
Features work never before published in USA.
This unique compilation - One of a pair with the companion volume
SELLING DARK MIRACLES
Cover by Geoffrey A Priest.


 

INTRODUCTION

THE SECRET GEOGRAPHY OF MAYNARD AND SIMS

 Stephen Jones

There is, dare I say it, something almost . . . supernatural . . . about the singular and precipitant success of the writing team of L.H. Maynard and M.P.N. Sims.

Following in the footsteps of such illustrious predecessors as E.T.A. Hoffman, E.A. Poe, M.P. Shiel, W.W. Jacobs, A.N.L. Munby, E.F. Benson, W.F. Harvey, L.T.C. Rolt, H.P. Lovecraft and M.R. James, they have chosen to successfully establish their genre credentials while shrouding their true identities behind an obscuration of initials.

Although I have been toiling in the horror and dark fantasy genres for thirty years -- and reading in it for far longer -- I had never even heard of Maynard and Sims before 1998. Yet they profess to have been writing together for almost as many decades. They also claim to have published a hardcover collection in 1977 through William Kimber entitled Shadows at Midnight. I own many of Kimber's excellent compilations on my shelves, but curiously I have never seen a copy of that apparently "lost" volume . . .

Then there is the certitude with which we all know how exacting it is for any writer to get a short story collection into print -- publishers never tire of telling prospective authors that such volumes do not sell. So how is it that Maynard and Sims not only managed to get their initial collection reprinted in 1999, but they also convinced Robert Morgan's handsome limited edition imprint Sarob Press to issue the book in a revised hardcover version with illustrations by the talented Douglas Walters?

Despite the protestations of publishers regarding such books, this volume quickly exhausted its print run, only to be followed less than a year later by yet another collection, Echoes of Darkness, from the same proprietor. It too is now out of print. What puissance did the authors exercise over Morgan, and did it in any way prevail upon the fact that this second compilation of stories was illustrated by one of their talented progeny, Iain Maynard . . . ?

But this was not sufficient for Maynard and Sims. Commencing in 1998, while labouring at full-time occupations and raising families, they inaugurated their own publishing imprint, Enigmatic Press. Within a year they had all but dominated the British small press with a perplexing array of titles and publications issued under the appellations Enigmatic Novellas and Enigmatic Variations. With these attractive periodicals they nurtured and promoted their own cadre of acolytes such as Paul Finch, Anthony Morris, Sarah Singleton, Paul Bradshaw, Steve Savile, William Meikle, Derek M. Fox, Alastair G. Gunn, Gerald Gaubert, the aforementioned Iain Maynard and others.

Concurrently, they also edited and published ten issues of a respected paperback magazine devoted to supernatural stories entitled Enigmatic Tales, and they teamed up with the venerable British Fantasy Society to produce F20, the first in a proposed series of annual chapbook anthologies.

Inevitably, realising that with the creation of Enigmatic Electronic there would be no way in which to halt their burgeoning publishing empire, those in authority stepped in to withdraw their funding. If their machinations had not been suspended when they were, one can only conjecture at how powerful and influential Maynard and Sims may have become.

However, even this prominent intervention was unable to do little more than delay the duo's domination. Despite a style of writing which ostensibly pays tribute to the so-called "Jamesian tradition", they have had a uncommon number of stories published in contemporary journals and anthologies such as Terror Tales, Unhinged, Sci-Fright, Foxfire, Ténèbres, the Horror Writers Association's Bell, Book & Beyond, The Children of Cthulhu, When Darkness Answers, Red Work, The Evil Entwines, Strange Pleasures and Dark Fantasy: The Best of 2000, to remark upon only a few.

More recently, having become the editors of the new American anthology series Darkness Rising, they have also written two stand-alone novellas, The Hidden Language of Demons and The Business of Barbarians, and they have a third hardcover collection, Incantations, and the young adult novel, The Seminar, awaiting publication.

Not only has their influence shaped the supernatural fiction field in the United Kingdom over the past couple of years, but now they are making significant ingress across the Atlantic -- as this present volume and its companion compendium from Cosmos Books, Selling Dark Miracles, proficiently illustrate.

Herein you will find such memorable examples of their craft as 'An Office in the Grays Inn Road', 'Benjamin's Shadow', 'The Window', 'Mattie', 'An English Country Garden' and the singular novella 'Ashushma', along with a number of previously uncollected tales, various insightful essays, and a revealing interview with the authors by William P. Simmons.

Eventually, I could stand it no longer. I had no other choice but to escape their omnipotence by travelling as far away as I might manage. To journey to distant shores, where their atmospheric prose was unknown. So I ventured to this far continent south of the equator, where their narrative skills were uncelebrated by the local populace.

Yet as I sit here on this verandah in the gathering gloom, watching a vermilion sun sink slowly behind the panoramic rainforest, I have come to the realisation that none of us can evade their propagation.

For as I glance down from the notebook in which I pen these words in laborious longhand, I can see carelessly scattered on the low table before me a selection of chapbooks, collections and other ephemera, all bearing the imprimatur of Maynard and Sims.

Too late, I suddenly comprehend the full implication of the horror I have carelessly wrought upon the world -- I have brought the contagion with me! Not only is this very commendation the secret of their success, but as a result of my own negligence their work has extended to even an exotic setting such as this.

With mounting dread I realise now that it is already too late for us all. Maynard and Sims are here . . . !

Stephen Jones, Costa Do Sauípe, Bahia, Brazil, June, 2001 -  [copyright © Stephen Jones 2001]

 

They are widely respected for their professional standards and excellent stories.
Strix, UK

Maynard & Sims write with a fluid graceful style and know how to involve the reader in their story.
Masters Of Terror, UK
.

 

Copyright © 2008 L.H. Maynard & M.P.N. Sims